The water layer smooths everything back flat as it sits. The great thing about this method is no holes in the whiteout. The water will run off immediately, but the too-thin layer 3 will remain and run down more slowly, taking 3-10 seconds to follow.
Layer 5 is the white-out underneath, which is either just right also or slightly too thick, depending on what you started with when you added the water. Layer 4 is the constant, perfect layer of ready-to-use thickness white-out this method creates. There is a thin layer that soaks ion the water and gets wet, but the soaking remains confined to just this thin, wispy layer. Later 3 is the damp sea bed, so to speak. Layer 1 is the surface of the water, which is actually opaque white, but I'm drawing it as if it were translucent. But it didn't- It forms this fairly complex little multi-layer whiteout ecosystem, like a little atmosphere/ocean/seabed type thing. The effect is quite interesting: When I tried it I was sure it would just soak in, leaving me with a jar of thinner white-out. I keep a thin layer of water constantly in my white-out bottle. And I finally found a way to do that about a year back: This works okay, but what I love about buying a new jar of white-out is that I'm able to stick my brush in and use it right out of the jar, and I want to be able to do that forever, not have to keep mixing and mixing. Use a spray bottle to wet the top when you want to start melting it down for your purposes. I haven’t seen my lid for years! you don’t need it.
#Art white out pen pro
Regarding the lid to the jar of Pro White! lid? what lid? Don’t even bother putting the lid back on. One method a lot of people use is summed up by this quote from a DRAWN! blog comment thread on the subject: It will eventually harden into a solid cake (which can be re-constituted- NEVER NEVER NEVER throw out dried out white-out.), but more likely you'll have problems something like this: (click to enlarge) The problem with white-out is that it dries out over time, even with the lid kept on. There's really only two kinds worth buying, Deleter, which I use, and looks like this:Ī third alternative would be a tube of good guache. It's super-opaque, has very high quality pigment, is archival, and when applied at the right thickness can be drawn over almost (though not quite) as well as paper. WHITE-out is another word we cartoonists use for what is really a specialized guache for correcting ink drawings. It's not archival, isn't terribly opaque, bleeds and isn't easy to draw over. Wite out is the horrible, foul smelling goop made by Bic for making small corrections to typing and letters. If you're not very familliar with art materials you might be thinking to yourself " 'White-out?' Doesn't he mean 'Wite-out?' "
#Art white out pen how to
This Week: How to get the perfect white-out consistency
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